Also, some records become highly valued just through association. For instance, records on the Decca or Sun labels, regardless of the artist, are highly prized.
The same goes for records of performers produced by the likes of renowned artists such as Phil Spector or Lee Scratch Perry. Resources As you can tell there is a lot of things to keep in mind when considering the value of a record. Ultimately, though, the best way to truly find the value is to check out a price guide and become familiar with how records are priced and what people are paying for them.
Allow us to recommend a few places where you can go to do this. There are other price guides out there, but this one is probably the best place to start. He also has a separate book on 45 RPM records. Just about everything is bought and sold on eBay, so Ill Tell It Where - The Fantastic Shadows* - The Fantastic Shadows (Vinyl no surprise records can be found there as well. But you've got bills to pay. Because record collecting is strangely specific. Limited edition American copies are only slightly less valuable.
Though there's apparently a market for that sort of thing. The value of these limited edition blue vinyl copies is just an added bonus. Suddenly that Napster fiasco makes a lot more sense. Sell it now. If they ever get around to rereleasing it on vinyl you can expect the value to plummet more quickly than Petty's post-'90s talent.
Because they have two extra tracks. Their range covers poprocksurf rock and ballads with a jazz influence. The core members from to were Hank Marvin and Bruce Welch. Along with the Fender guitar, another cornerstone of the Shadows sound was the Vox amplifier. The Shadows, with Cliff Richard, dominated British popular music in the late s and early s in the years before the Beatles.
Although these and most of their best-remembered hits were instrumentals, the group also recorded occasional vocal numbers, and hit the UK top ten with the group-sung "Don't Make My Baby Blue" in Two other vocal songs by the Shadows also made the charts.
They disbanded inbut reunited in the s for further commercial success. They had no bass player. Samwell wrote the first hit, Ill Tell It Where - The Fantastic Shadows* - The Fantastic Shadows (Vinyl, " Move It ", often mistakenly attributed to "Cliff Richard and the Shadows".
Initially, Norrie Paramor wanted to record using only studio musicians but after persuasion he allowed Smart and Samwell to play as well. Foster went to Soho 's 2i's coffee Album)known for musical talent performing there, particularly in skifflein search of guitarist Tony Sheridan. Sheridan was not there but Foster's attention was caught by Marvin, who played guitar well and had Buddy Holly -style glasses. In spring the same year, the owner of the United States vocal group The Drifters threatened legal action after the release and immediate withdrawal of "Feelin Fine" in the US.
The second single, Jet Blackwas released in the States as by The Four Jets to avoid further legal aggravation, but a new LP name was urgently needed. From The Story of the Shadows :. With a combination of the American situation, Cliff Richard's runaway success "Living Doll" had by now sold over a million copies in Britain alone and a bit of nudging from Norrie Paramor, we set about finding a permanent name, which arrived out of the blue one summer's day in July maybe the 19th.
So we became the Shadows for the first time on Cliff's sixth single " Travellin' Light ". Further hits followed, including the number ones " Kon Tiki " and " Wonderful Land ", another Lordan composition with orchestral backing.
The Shadows played on further hits as Richard's band. In OctoberMeehan left to be a producer at Decca records. He was replaced by Brian Bennett. Bennett and Locking were friends from the 2I's who had been in Marty Wilde 's backing group, the Wildcats, who recorded instrumentals as the Krew Kats. This Shadows line-up released seven hit singles, two of which, " Dance On! In OctoberLocking left to spend more time as a Jehovah's Witness.
Meanwhile, Harris and Meehan teamed up at Decca as an eponymous duo to record another Lordan instrumental, " Diamonds ". It rose to UK no. Duringthe ex-Shadows were competing in the charts with their former bandmates. The Shadows had met John Rostill on tour with other bands and had been impressed by his playing, so they invited him to join. This final and longest-lasting line-up was the most innovative as they tried different guitars and developed a wider range of styles and higher musicianship.
They produced albums but the chart positions of singles began to ease. The line-up had ten hits, the first and most successful of which was " The Rise and Fall of Flingel Bunt ". Their film and stage roles allowed the group to develop as songwriters. They wrote only a few songs for the earliest film, 's The Young Onesbut by Finders Keepers in almost the entire soundtrack was credited to Marvin-Welch-Bennett-Rostill. In OctoberMarvin and Welch decided to disband the group following a concert at the London Palladium.
In the event, only Welch left, but the Shadows had disbanded by the end of the year. The group taped all six performances in the TV studio before the series itself began, with the video cut into the weekly show. For the presentation of the songs on week seven and the announcement of the result on week eight, the pre-recorded performances were run again.
Having long stepped out of Richard's shadow, this was a rare excursion into vocals for a band known for instrumentals although they had cut vocal tracks on most albums, plus some singles 'B' sides, and had four charting vocal singles in the '60s.
Welch sang lead and let the world know when, forgetting a couple of words, he turned to colleagues and said "I knew it" in range of his microphone.
The first half of the album was from Marvin's solo career and the second was by the Shadows. Francis left after that tour and the line-up settled as Marvin, Welch and Bennett, supplemented on records and gigs by Cliff Hall keyboards and Alan Jones bass. It was this line-up that reunited with Cliff Richard for two concerts at the London Palladium in March Highlights of the concert, including four solo Shadows tracks, were released the following year on the top ten charting album Thank You Very Much.
On the back of this The Shadows recorded an instrumental version of " Don't cry for me Argentina " from the west end Album) " Evita ", released as a single at the tail end of The record eventually reached number 5 in the singles chart thereby giving the group their first top ten single since the s. Intheir version of " Cavatina " also became a top ten hit, and they recorded ten more tracks with bassist Jones and keyboardists Dave Lawson and Alan Hawkshaw for the album String of Hits on EMI which topped the British Ill Tell It Where - The Fantastic Shadows* - The Fantastic Shadows (Vinyl charts.
These tracks came from albums released earlier in the group's career of cover versions of hit singles; this was eventually released as Another String of Hot Hits in After 20 successful years together the Shadows and EMI parted company and the group signed a year contract to Polydor Records.
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