You may now have to change several settings to restore your favorite options in Word. If the problem is not resolved, restore the original Word Data registry subkey, and then try the next option.
The Word Options registry key stores options that you can set in Word. These settings are divided into default and optional groups. Default settings are created during the program setup. Optional settings are not created during setup. You can change both the default and optional settings in Word. Locate the following registry subkey, as appropriate for the version of Word that you are running.
Select Optionsand then on the File menu select Export. If Word starts and works correctly, you have resolved the problem a damaged Word Options registry key. If the problem is not resolved, restore the original Word Options registry subkey, and then try the next option.
This Option includes renaming the global template file so that Word does not find it as expected when it restarts. This forces Word to re-create the global template file.
By doing this, you save the original file in case you have to restore it. Be aware that when you rename the global template file, several settings are reset to their default values, including custom styles, custom toolbars, macros, and AutoText entries.
Therefore, we strongly recommend that you save the global template file and do not delete it. Additionally, in certain situations, you may have more than one global template file. For example, this occurs if multiple versions of Word are running on the same computer, or if several workstation installations exist on the same computer.
In these situations, make sure that you rename each global template file so that it clearly reflects the appropriate Word installation. Type cmd in the Search box in Windows 10, Windows 8. At the command prompt, type the following command, as appropriate for the version of Word that you are running, and then press Enter :.
If Word starts correctly, you have resolved the problem a damaged global template file. You may have to change several settings to restore your favorite options. The old global template file may contain customizations that can't be easily re-created. These customizations may include styles, macros, and AutoText entries. In this case, you may be able to copy the customizations from the old global template file to the new global template file by using the Organizer.
For more information about how to use the Organizer to copy macros and styles, press F1 in Word to open Microsoft Word Help, type rename macros in the Search box, and then select Search to view the topic. If the problem is not resolved, restore the original global template file see belowand then go to the next option. When you start Word, Word automatically loads templates and add-ins that are located in the Startup folders, Trouble 97. Conflicts or problems that affect an add-in can cause problems in Word.
To determine whether an item in a Startup folder is causing the problem, temporarily disable the registry setting that points to these add-ins. Start Windows Explorer. Type windows ex in the Search box in Windows 10, Windows 8. Type the following command in the address bar, as appropriate for the version of Word that you're running and its installation type, and then press Enter :.
If you can no longer reproduce the problem, you have found the specific add-in that causes the problem. If you must have the features that the add-in provides, contact the vendor of the add-in for an update. If you can still reproduce the problem, type the following path in the address bar of Windows Explorer, and then select OK. If the problem is not resolved after you disable the Startup folder add-ins, go to the next option.
If the problem is resolved, you have determined that a COM add-in program is causing the problem. Next, you must determine which COM add-in program is causing the problem.
Use one of the following procedures, as appropriate for the version of Word that you are running. If more than one add-in is listed, clear only one add-in check box at a time. This procedure helps you determine which add-in is causing the problem. If the problem is resolved when you start Word, you have determined which COM add-in is causing the problem. If you must have the features that the add-in provides, you must determine which add-in includes those features so that you can contact the vendor for an update.
The Actual Color is the next to convince me while following this tricky path basically. Both songs do need some attempts to capture the variety. The Perfect Young Man on the other hand seems to peer hard at the charts first. However this one needs more than 10 minutes to play in the end.
So when John Wetton comes in with his guest vocals, now then at the latest the song mutates to a mini epic Like on the debut album 'Hybrid Child' they've put Chicago Symphony Orchestra member Katinka Kleijn in charge of opening for one song with her cello. The extended track The Thief offers multiple facets once again, just to remark a groovy instrumental part with quirky keyboard solo. I fail to detect any trouble with machines, to make it clear.
A fantastic female voice, fine melodies and complex arrangements complement each other, another album though where I needed some rounds to come in eventually. Rich Mouser, also working for Spock's Beard respectively Neal Morse, has lend a hand with the production, A recommendable effort, although not every song can thrill me actually Lead singer and focal point of the band, singer Leslie Trouble 97 is one tough chick!
She has a very strong, forceful and original voice and sets her apart from the numerous other more faceless female-fronted prog bands around today, and she shows a level of power and control that is such an asset to the band. On the first few listens, her vocal melodies seem far too twisty and complicated, up and down all the time, changing direction every few seconds. However eventually they start to get into a real flow with the music and she shows a lot of variety and real character.
Although the track itself goes in a number Trouble 97 different directions, the plodding guitar riffs seem to dominate the piece and Trouble 97 away the attention from the more interesting musical elements. It takes a few listens to notice the flow and groove of the track, so it's more interesting on repeated tries. Probably the least interesting track on the album, but don't be put off by it! I do think it has very good lyrics if you take the time to read them in the CD booklet, too.
Girls, there are alternatives! The main vocal melody is a little plodding, but it has an energetic instrumental middle section, with a lovely brief piano interlude. Probably not the best track on the album, but full of nice little touches. It's great on the live DVD thatr comes with the album! Reflective but dark ballad moments, lovely melodic guitar solos, neo-prog keyboard snaps, with an angry and grand finale. The track has very clever but unpleasant lyrics filled with predatory and innocent insecurity and spitefulness.
This bleak track is a total knockout. Not the best vocal melody of the album, but the interesting musical arrangement always keeps it interesting. The finale has some messy and interesting instrumental moments around the vocals, pity they weren't a bit longer. It's still a very complex and busy piece for a fairly short running time.
Patrick Mulcahy's bass playing is all over this one, grumbling away in the background, it's not surprising as he wrote the piece. Terrific varied and forceful drum- work ensures Jonathan Schang gets a real workout too. There's crazy and noisy keyboard solos throughout the whole track that really go off! Leslie gets a lot of interesting vocal moments on this one, plenty of commanding and alternatively restrained spots for her. Lots going on in this dramatic track, and it finishes the album off in a typically proggy and epic manner.
Sadly Trouble 97 have to point out that it's a real shame that the endless heavier guitar riffs constantly drown out Patrick Mulachy's bass playing totally. It seems to be frequently mixed far too low throughout most of the album.
Having seen the live DVD that comes with the album, you see just what a great player he is, so it's disappointing he's not mixed up a lot louder and more prominent.
The loss of cello player Katinka Kleijn from the first album is a shame too, as she gave the debut a very distinct sound. Special mention must be made to the high quality of the lyrics. Strong and defiant, frequently bitter and sarcastic, spiteful and bating.
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