Sometimes it can just take a little while to come around to his music, and you need to be in the right frame of mind. Harvestwhatever your copy ends up costing you, closed out one of the stronger four-album career-opening runs in pop history.
Of course, Young had some practice before he went solo, so he had a head start. After gigging around Canada as a teenager in the garage-rock outfit the Squires, he headed out to L. They were a band with a few songwriters, each of whom had their own personality, and Young's songs "For What It's Worth", the group's biggest hit, wasn't one of them revealed an emerging and distinctive voice.
Inhe left the band and started his solo career, releasing Neil Young at the end of the year. The album bearing only Neil Young's name is the one that sounds least like him. It's a fine psych-tinged folk-rock set with colorful arrangements and top-shelf instrumental contributors like guitarist Ry Cooder and visionary keyboardist and arranger Jack Nitzsche, who would continue to work with Young periodically through the 70s.
But Young himself sounds oddly tentative throughout, as if he weren't quite sure what he wanted his music to sound like, and this is his most restrained singing on record. There are echoes of the great music to come, like the ballad "The Old Laughing Lady", and the arrangements Harvest Time - Various - News Nostalgia (CD) lush and inviting, but Neil Young in a sense represents a road not taken, and it's most interesting now in comparison to what was to come.
Where the performances on Neil Young were eminently professional, the sophisticated and exacting parts executed with polished precision, Harvest Time - Various - News Nostalgia (CD), Crazy Horse were loose and sloppy, privileging groove and Harvest Time - Various - News Nostalgia (CD) above all. Many of Young's seasoned contemporaries considered them an embarrassment, but for him they represented a new way of thinking about music, one that favored intuition and stayed true to the moment.
By this logic, they were making music on the level of Sticky Fingers from the jump. Both are masterpieces of rock minimalism, demonstrating the power of repetition as the Crazy Horse rhythm section of Ralph Molina and Billy Talbot cycle through the chords and Young solos endlessly in his grimy, deeply-felt tone, playing off the subtle, prodding rhythm work of guitarist Danny Whitten.
But the more compressed and accessible moments on the record are just as powerful. Best of all on Everybody Knows This Is NowhereYoung sounds comfortable and confident, singing Harvest Time - Various - News Nostalgia (CD) the versatile and hugely influential voice that has changed remarkably little in the 40 years since.
Everybody Knows was a sort of big bang for Young, a dense moment of creative explosion that saw possibilities expanding in every direction. So its follow-up was anything but a retread. With his newfound confidence, Young was poised to stretch, and After the Gold Rush sounds a bit like an overview of the Great American Songbook but with one guy writing almost all the songs.
Paul Weller — On Sunset Polydor. Armand Hammer — Shrines Backwoodz Studioz. The Midnight — Monsters Counter Records. Jim Lang — Hey Arnold! The Music. Vol 1 Enjoy The Ride Records. Greg Foat — Symphonie Pacifique Strut. Williams — Forever Blue Bella Union. Neil Young — Homegrown Reprise Records. Welch explains the motivation for the vinyl version in a Washington Post profile.
I could see all of it. And just after that moment of revelation, we were both instantaneously furious — just furious that this sonic information had been eradicated by the CD. Why the delay releasing this on vinyl? The two were unhappy with the quality of the mastering they heard. So, in they concluded that buying and refurbishing their own cutting lathe was the only way to achieve the desired results. Before Marcussen exited the vinyl mastering business in the s his place was called Precision Lacquer.
It was a big music business hangout when I lived in Los Angeles in the early s. Does it matter? Harvest Time - Various - News Nostalgia (CD) Rawlings and Welch were Berklee School of Music students, which may seem unusual since the school tends to graduate jazz musicians. There are rich guitar and banjo textures and harmonics that are almost orchestral in nature. A little online research turned up an interesting piece in Premier Guitar that you will find interesting.
The recorded sound here is everything you'd wish for on an album of acoustic instruments and vocals. It's artifact-free, harmonically and texturally rich and complex and spatially three-dimensional. Clearly the Harvest Time - Various - News Nostalgia (CD) played together and recorded in the same space, allowing for plenty of microphone bleed—the kind that produces three dimensionality and harmonic interplay between instruments.
The QRP pressing is dead quiet too. Note: the first pressing has sold out but do order now.
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