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Repressed; double LP version. The words, sung by '60s California art icon William T. Wiley and embedded in glowing drone swells, set an otherworldly tone for Sollmann's first solo release on Ostgut Ton. Over eight tracks, New Atlantis oscillates between fast, kaleidoscopic techno, multi-layered drones, and acoustic instrumentation, fusing for the first time Sollmann's deep dancefloor productions as Efdemin with his sound art and experimental music projects.
Long drawn to utopian musical traditions, Sollmann took inspiration for New Atlantis from Francis Bacon 's unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology, and fashion.
In the story, Bacon imagines futuristic "sound houses", which contain musical instruments capable of recreating the entirety of the sounds of the universe; a year-old prophesy of today's digital sonic reality. Through Sollmann's lens, Bacon's vision ebbs and flows over 50 minutes in varying speeds and colors, emerging as a tapestry of different utopian musical traditions -- through billowing synth lines, early Detroit techno, resonant wooden percussion, trance, droning organs, dulcimer, electric guitars, hurdy-gurdy, just intonation, poetry, hymns, and murmuring voices.
Sometimes they Parallaxis - Efdemin - Decay (CD into epic, rhythmic journeys like the minute long title track; other times they appear as a briefly open sound portal "Temple"Album), or in the forlorn human voice on "Oh, Lovely Appearance Of Death", calling to be freed from jail of the human body and pass into the afterlife.
Like previous Efdemin albums on Dial, New Atlantis veers off the techno path to explore other musical territory.
Here however, Sollmann occasionally abandons the club entirely, returning only to push its boundaries with other instruments, mythologies and psychedelic story telling. Wrong Movements. Stroboscopic Artefacts returns with another in its Totem series, a unique set of releases pressed on transparent 10" vinyl, capturing the essence and effusiveness of multidimensionality of club culture.
Stepping up for the third release in the series is Berlin legend Efdeminbringing a three-track journey that is unequivocally enduring and flexible for journeys on-and-off the dance floor. Efdemin takes on the challenge of Totem's conceptual subjugation and subverts it with his emotionally honest take on a stimulating and subdural sonic experience within three parts. Narratively dense and expertly-paced, the Totem series has another outer-worldly insertion to its catalog.
Clear vinyl. Naif Mix CD Sampler. Move Your Head EP. It sounds ridiculous to state that this is Efdemin 's best release so far on Curle Recordings when you realize that's the artist that brought classics like "Acid Bells" and "America" But the whole EP truly is amazing from start to finish.
Efdeminaka Phillip Sollmannreturns with a striking hybrid concept that merges the album format with the "continuous DJ mix" format, presenting completely new material in a seamless manner. All of the individual contributions are combined here in a painstaking assembly process that took an entire year to complete, and the result is that the album flows with an almost paradoxical effortlessness from one style to the next.
Besides the strong collection of tracks from well-known and undiscovered producers alike, it's Efdemin's own contributions that stand out. This becomes evident once the album opens with spectral, distant bells and homemade modular synth sounds leading into more unreleased Efdemin pieces, "Watte" and "Sirius", whose deep dub resonance will completely grab your attention.
Later in the mix is electroacoustic textures of "Laveline", a collaboration with Konrad Sprenger. Four-panel digipak; Includes download card. It ended up on in first place position on the Groove chart, but for some reason Curle Recordings never had it remixed. In this case, you must log on to the payment service provider with your access data during the ordering process.
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