It succeeds, albeit temporarily, and for half a second you think the score is going somewhere… but then the monotony takes over again. Its hard work to stay awake during The Clearing.
Whatever the case, The Clearing is arguably one of the most mind-numbing scores in recent memory, and it drags on for what feel like an interminably long time.
Music composed by Craig Armstrong. Conducted and orchestrated by Matt Dunkley. Featured musical soloists Clio Gould and Craig Armstrong.
Recorded and mixed by Geoff Foster and Rupert Coulson. Album produced by Craig Armstrong Untitled - Craig Armstrong - The Clearing (CDr) David Donaldson. You are commenting using your WordPress.
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Learn how your comment data is processed. In the late 's, the Ghent International Film Festival began featuring symphonic concerts of major composers' works, and in the focus of their attention was on Armstrong's music. The performing group at this event has changed through the years, and in this case, The Flemish Radio Orchestra and Choir was present as they had been for the more famous Hans Zimmer concert several years earlier to tackle many of the composer's best known works.
These performances were recorded and made available to collectors as the first of the "For the Record" series of specialty CDs that went on sale at the festival's shops, its website, and soundtrack specialty outlets.
Like the subsequent "For the Record" albums for the music of Mychael Danna inAngelo Badalamenti music inand Shigeru Umebayashi inthese concert presentations are treats for the fans of the collector, featuring competent performances with solid recording quality and no ambient crowd noise, but they often raise more concerns than they may be worth for those same people. Read More The selection of material to perform is always a point of contention on such compilations, though in the case of Armstrong, he often arranges his themes into a form that lends itself Untitled - Craig Armstrong - The Clearing (CDr) for that use.
Additionally, this "For the Record" CD debuted just a year after the composer's "Craig Armstrong: Film Works " promotional compilation that offered the original performances of many of the same cues. The completion of his score for World Trade Center in the interim allowed for a whopping four tracks from its subdued and depressingly beautiful score to be included on the "For the Record" product.
Gone, unfortunately, are the replacement cues written for The Negotiator and Cruel Intentions. Of more importance, however, is that the Ghent performances attempted to represent Armstrong's career without any of the composer's trademark electronic loops. Unfortunately, you can't really represent Armstrong's career without these electronic tones, and the performances on this compilation therefore suffer significantly from their absence. Ironically, the Ghent setup would have been better suited for Elizabeth: The Golden Age and The Incredible Hulkboth written not long after this recording.
The strictly orchestral performances are rather passionless across the Untitled - Craig Armstrong - The Clearing (CDr), the trademark piano at the heart of so many of Armstrong's themes failing to resonate emotionally.
The technically accurate playing by the full ensemble lacks the melodramatic flair that Armstrong's original scores tend to exude, exacerbating the issue with the synthetics.
The choir was absolutely necessary, however, and it at least does its job adequately in the appropriate places. Overall, this "For the Record" album cannot compete with the original recordings on "Craig Armstrong: Film Works " because of the lack of passion and electronics in the performances.
Hearing Armstrong's music without its natural synthetic element is simply too bizarre to behold. The maximum rating is 5 stars. Total Time: The insert contains long notes about the festival, composer, conductor, and orchestra, as well as photography Untitled - Craig Armstrong - The Clearing (CDr) the event.
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