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Creative Commons Attribution 3. Work Title Chorale harmonisations Alt ernative. This is general page all of the chorales, LP). Chorales ; Religious works ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied chorus ; For 4 voices ; For unaccompanied voices ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the alto voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; For oboe, English horn, bass oboe, bassoon arr ; For 4 players arr ; Scores featuring the oboe arr ; Scores featuring the English horn arr ; Scores featuring the bass oboe LP) ; Scores featuring the bassoon arr ; For mixed chorus, piano arr ; Scores featuring mixed chorus arr ; Scores featuring the piano arr ; For chorus with keyboard arr ; For organ arr ; For 1 player arr ; Scores featuring the organ arr.
Contents 1 Performances 1. Evangelist / Chorus / Pilatus - Bach* - Utrecht Symphony Orchestra is required for this feature. Plate Based C. Bach's edition. This file is part of the Sibley Mirroring Project. Bach-Gesellschaft AusgabeBand 39 pp. Plate B.
BWV numbered 1 to Editor Frieder Rempp Plate BA Page size is Arranger Notenschreiber. Translator John Sullivan DwightEnglish text. B and C.
E] could not have been better served, not to mention two English Renaissances, as well as our own time. It went beyond mere intelligent programming and committed performance, enriched by a deep sense of the mutual nourishment of music and faith. If it has flaws, they are like those that distinguish a fine emerald from the perfect clarity of a fake The more than vocalists displayed clean tone, excellent pitch and blend, and kept good tempo even in the most stressful numbers…outstanding, energetic and crisp.
The Evangelist / Chorus / Pilatus - Bach* - Utrecht Symphony Orchestra was a collection of top freelancers from around the Eastern Seaboard including several from Washington… baritone Dashon Burton, was the standout. He has a clarion instrument that projects well throughout his range…a splendid dramatic performance.
Greg Funfgeld has trained his singers to articulate words crisply, dance lightly when the music must move and blend elegantly. Charles Daniels stands out as a poetic and powerful Evangelist, William Sharp as a warmly inflected Jesus and Julia Doyle as a shining champion of the soprano arias.
The hauntingly beautiful voices of Taylor and Zsigovics—she in her festival debut—melted together like two precious metals, hers of bell-like clarity, his a more complex alchemy, with a sheen like liquid mercury.
The conductor, orchestra, soloists, and chorus are eminently capable of LP) nuances of the rich harmonic texts …spirited and vivacious…It is not likely to get any better than this on this side of the Atlantic.
It also blends seamlessly with the excellent modern-instrument Festival orchestra which Greg Funfgeld conducts with an obvious knowledge of, and sensitivity to, modern performance practice. The work of the soloists is excellent, too…Excitement, dedication, power—all things that we hear more and more seldom in Bach cantatas—lend distinction to this beautiful and well-produced recording. Greg Funfgeld…has revitalized this Pennsylvania institution, and Dorian is doing well to document its vibrancy in a recording series… genuine honesty and intelligence informs this performance…Funfgeld has forged a fine body of singers and players…tightly disciplined ensemble …rousing spirit and sacred joy aplenty.
This recording will not disappoint.
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